I guess it's about staring the train wreck down, right down to the rail road ties, sifting through smoke, metal and memory. "Bravery is not for the beautiful."

Mostly you will find posts that contain poems, paragraphs or narrative non-fiction in process or my thoughts on my writing adventures and of course there may be the occasional rant.

I am currently doing "the grind". It's where one writer invites another to be apart of a group. For one month the group of you email new work every day. That means I am writing every day. I will be updating more often, trying to get a little bit more comfortable putting my work "out there".

Friday, November 30, 2012

Metaphor


He gave me silence-

   the kind of silence
that only snow can bring to
   New York City.

He gave me his hands,
   brown, worn and angry.

He gave me my body,
   his body
Leviticus- tongue to cheek.

He gave
  hair patterns, books, philosophy
and the tight rope between
51 and 50.

He gave me her, only
on loan, a Mother.

He gave me breath, bullshit, butterflies
  and battleship.

He gave me silence,
            but left me words
and I gave his hands
   my
      tattoo's.
****

Sunday, November 11, 2012

Louder please


If I could tell you anything,
I would say-
Speak louder.
No. Don't shout, it just makes you look angry.
Please don't say- Never mind
Learn to rephrase and not repeat,
I didn't understand the first time. Choose different words.
Step into the light and don't cover your mouth.

If I could tell you anything,
I would advise you not to ask me why I wear hearing aids so young, unless
You ask every person
Under thirty why they wear glasses
Please don't ask if I like them or whether you should get some. Please just see an audiologist.
Do not ask how much they cost, they cost a whole lot more than money, in fact they cost more than words.
Do not ask about the percentages of my loss, there is no way to break it down,
Could you ever put a percentage on how many times, you missed a joke, missed some one asking for help, whispering a prayer or saying  fuck me?
Could you ever put a percentage on the inability to hear your own voice? Or how many sunny hours were lost as a child in speech therapy so you wouldn’t have an accent?
I would also advise you to
not move your lips around with no sound coming out and ask me if I can hear you, this makes you look like an ass, in fact this does make you an ass.

If I could tell you anything-
I would say speak louder,
Loud enough for my heart to hear you,
Loud like the dawn chasing the night away
Loud enough to make the floor vibrate
Loud like a smile and an extended hand
Loud enough for me to not have to say "sorry, could you repeat that?"
Loud enough for me not to apologize for my disability, again and again
Loud enough for me to say, I understand.

If I could tell you anything,
I would say
speak louder.

Thoughts on writing

I write because I have to, when I write- it becomes bearable, real, alive. When I write, I am no longer choking back the words but finally breathing fire. When I write, I take the knife and go right up the vein, not across- mind you. When I write, I no longer exist. I long, some days, to no longer exist. Words become color and sound, blue warmth and thunder heartbeats. I miss Midwest summers when the thunder would become my heartbeat and the storms would hide my shame. When I write, discomfort becomes my friend, driving the words like a herd of sheep towards the some day greener pastures and the sheep know only to follow. I can only follow the words as they move faster, become larger, make the leap from nightmare to dream and I am still standing when it is all finished. I lean quietly on dangling modifiers, semi-colons, and enjambment, not the sort of thing one wants as a foundation but it is a start. When I write, I am finally breathing, releasing, living. When I write the demons come out of the shadows and take shape, they can be named, I can be free. When I write memories are no longer mine, but some thing else entirely, a moment outside of my secrets, a window into someone else's story, a journey towards something shared. There's a stillness to words, even as they move faster, space to breathe between letters and periods. There is a silence to words that is louder then any other sound that I have ever heard. A silence that can be bold and full of explosions and never uttered aloud. There is safety here,even with a knife to my wrist. It's up the vein- baby-never across.

My Fathers Childhood bedroom

You asked about my memories- unspecific but demanding. It was a gesture of mercy that you allowed me to write them down.

And Fakir, with piercing blue eyes, whispers, "this is not about being stoic".

There was always something about this room, it chills me even now, twenty three years later and the house has been sold. This room with wood paneling,  dusty trophies,  vertical blinds, the heavy desk, the stench of onions and my fathers childhood. This is the room she left us, side by side tucked into a full bed. This is the room where I learned to swallow my  prayers, snot and screams. There was always something about my mother leaving. It started before I can even really remember.  Back before my parents lost their house, the few times my mom ever left for an evening out, I wouldn't just scream, I would wail. I would wrap myself in one of the multicolored afghans she made and fall asleep next to the window, hoping to know the minute she got home, the minute I would be safe.There was always  something unpredictable about my fathers eyes. But this time was different, this time my mother wasn't coming back. A month or two is an eternity to a seven year old especially left in the care of a grandmother with different ideas concerning soap and the multiplication tables.

This is the room, where as my mother lay in a hospital, I memorized my "our fathers"and "hail Marys", on my knees- carpet worn but still scratching through a thin floral night gown. This is the room where at ten years old, only months after my mothers death, I had to tell my grandmother about the blood in the bathroom- she clutched me to her chest sobbing about the woman I had become and I was sobbing about the woman I would never be, the shame on my cheeks matching the spot on my underwear. This was also a moment meant for my mother, and even that was taken from me.

This time, both of my parents stood awkwardly in the door frame- his dark skin framed by her light, they promised she wasn't going to die, promised that we would all be a family again. She was leaving for IV's, nausea and hopefully more white blood cells. I sobbed, holding my pillow to my chest- shaking and begging her to stay. Pleading- because my life depended on it. Instead of focusing on my feelings, I focus on the room- the ceiling- where I would lay on my back and stare  for long enough- shapes would twist and emerge like watching shapes come alive in the clouds, or how at sixteen it was in this room my fathers brother told me how my mother embezzled thousands of dollars- hundreds of thousands. This room has become the coffin of my childhood, and this memory it's first nail. The nail being my first understanding of loss- the first time- I understood what it meant to be alone. Like the first time when I lived on my own, and spent all night vomiting in a bathroom- wishing to have someone to hold my non existent hair back- wishing to be the sort of person that some one would want to hold my hair back. Wishing for my mother.

My sister is just a wisp in this memory, perhaps too young to have understood what was happening, to young to be a comfort to me- often she was more of a chore, but in the end- it kept us both alive.

 My Mother did come back for us, some time in the end of March but in this moment I knew she was going to die, even though it happened three years later. This was my first taste of my life without her, that first kick in the gut - that I never really recovered from. They say that you learn to live with it- I still sleep holding a pillow to my chest.

Saturday, November 10, 2012

Strong (piece still in draft stage)

You gave me a box of rocks
for my 30th birthday.
30 rocks in a pocket sized box,
tied together with a ribbon.
You brought them back from the coast of California.
a coast staggered with pine trees, fault lines
the ghost of john Steinbeck
my history
and acres of vineyards.
You told me each rock represents a
 year that you have survived,
and all I could see was a little monument to the pieces of me
that died each winter, marking solid thoughts and misguided respect on misunderstood tombstones-
You told me that you are strong
but not like the rocks
like water
picking one up- you asked me
how big the rock was once before the water got a hold of it, how long the water worked it until it washed up on the shore
and to think of the strength it took to mold its current shape.
Again you say
you are strong like water
a strength you don't even know that you posses-
strong like water.

Friday, November 9, 2012

At Sunrise


I was a delivery driver and my first stop was south of Market in San Francisco. Five days a week- I would look up just a block over from Hotel Utah and there he would be silhouetted against the day, thirty stories up walking out to the tip of his crane, lunch box in hand.

Rain or shine, 6:04 am, steady feet, blue jeans and we would watch the sunrise. My day started with this dare, if he could keep walking without a safety net, so could I.

I often left my house at 2 am, biked all the way down San Pablo Avenue in Oakland, dodging johns, heroin, short skirts and vomit. The worst was the beginning of the month and end of the month--here, everything depends on a paycheck, in whatever form it comes. I saw things here, ignored things here-- that still give me nightmares-- that still shame me to silence.

I often didn't sleep, too many people, too many beers, a hopelessness all too familiar. But most days, I would force myself out of bed (in three bedroom apartment with six people) bike the 7 miles, load the truck, ignore the ache in my still bruised and swollen but flat chest, to get to this moment. This sunrise, this man, this death defying promise that he would make it. He introduced me to god and faith and love, and in return, I have simply loved him. Every sunrise, every day, every year-- I owe this man my life, he never fell- surely and every day that I was  there to witness, he walked, one foot in front of the other, silhouetted against the dawn.

Thursday, November 1, 2012

The Verbalist recording

I performed at a very interesting show in early October. It was five writers and the theme was modern story telling. The show did a recording (you will find the link below).  I was honored to be selected for this show especially once I heard the other writers stories. They are really good. It's worth your time.
 
http://www.seattlestar.net/2012/11/verbalists-presents-a-seattle-star-audio-recording/